A section designed for philosophers to address a question to the photographic community and inform their research.

Dawn Wilson

Philosopher

Dawn Phillips studied at the University of Durham and wrote her PhD on Wittgenstein’s say-show distinction. She held philosophy positions at Kent, Cork, Southampton, Oxford, and Warwick. In 2011 she became a Lecturer in Philosophy at the University of Hull and, also, became Dawn Wilson.

Dawn has published on Wittgenstein early and late, particularly the Tractatus, including articles on logical analysis, clarity, symbolism, the picture theory of language and the expression of thought. With David Connearn, she co-authored an article about Wittgenstein’s House in Skjolden and co-ordinated an international letters campaign for the conservation of the house and its legacy.

She is interested in language, thought and image, particularly in art and aesthetics and the philosophy of photography. Her article, ‘Photography and Causation’, launched a field of debate known as the ‘New Theory’ of photography and was selected as one of twelve classic texts to celebrate the 60th anniversary of the British Journal of Aesthetics.

She recently published ‘Invisible Images and Indeterminacy: Why we need a ‘Multi-stage Account of Photography’ in the Journal of Aesthetics and Art Criticism and she is co-authoring, with Laure Blanc-Benon, the photography entry for the Stanford Encyclopedia of Philosophy. She is writing a book titled Aesthetics and Photography for Bloomsbury, and articles on temporal representation, co-portraiture, and comparing photography with music.

Can anyone suggest examples of photographic art that can be best appreciated using an analogy with music?

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      Connections made by me

      Respectively it is targeted to philosophers and researchers, who are interested in conversing with artists, sharing knowledge and also learning from their artistic practice.It is a lab where visual artists mostly work with philosophers and not exclusively on philosophy. In that respect philosophical texts and wider topics may be in our areas of interest more as a means to explore seeing and thinking rather than the end on which we focus to extract information. It is lab which also aims at creating through experimentation and transfigurations of artefacts material which may raise philosophical questions and discussion.