Image/Method: Alexey Yurenev
[Extracting gesture through machine vision]


1. Could you briefly describe the conceptual process you follow in your work?


In Manual Labor, the process did not begin with a defined concept. I started from a technical and aesthetic curiosity: how machine vision would detect and translate gestures. I used ChatGPT to generate Python scripts and began testing gesture estimation on recorded hands at work.

Only after reviewing the outputs did the conceptual layer emerge. By reading the overlays and isolating gesture traces, the project shifted from experiment to inquiry—allowing the results to shape the questions rather than the other way around.

2. Is there a dynamic movement/shape/pattern or even rhythm that you are more drawn to in your visual thinking while working?

What interested me was the reduction of the body to detected motion. When the background was removed, gestures became detached from context—almost like residual marks.

There is a movement from presence to abstraction: the worker disappears, and only the machine-recognised trace remains. I was drawn to this transformation—to the rhythm of repeated gestures translated into synthetic lines.

3. Has the image(s) you have chosen here to share shifted your understanding or tapped into an area that was unknown to you? And if so, could you loosely link an idea with an imagistic aspect?

Yes. I realised that the detected hand is not an individual hand but an aggregation—a synthetic construction trained on millions of examples. The image revealed that machine vision does not simply “see” labor; it reconstructs it through learned patterns.

This shifted my understanding of automation. The gesture trace became a way to think about the hand as a form of automation itself—and about tools as further extensions of that automation.

  • Alexey Yurenev is an artist, visual researcher, and educator whose work explores the intersections of memory, technology, and production of knowledge. He is Adjunct Faculty in the visual arts MFA Program at Columbia University and a faculty member at the International Center of Photography (ICP).

    His work has been exhibited internationally at venues including FOAM (Amsterdam), Hangar (Brussels), MOMus Modern/Costakis Collection (Thessaloniki), and Rencontres d’Arles. He is the author of the book Seeing Against Seeing (2025).

    Yurenev’s projects have been featured in The New York Times, National Geographic, Literary Hub, and Topic. His work is held in collections such as Johns Hopkins University Special Collections, FOAM Museum, and the Anti-Krieg Museum. He has been recognized by Photographer of the Year International and received the Silurian Society Award for excellence in arts and culture journalism. He has also been nominated for an Emmy Award and the FOAM Paul Huf Award.

    He is the co-founder of FOTODEMIC, an online platform for innovative visual strategies, and the founder and executive producer of Living Room, a monthly public program for ICP alumni.